SimonThePhotographer
Concert Photos from Berlin
Concert photography that makes the sound visible
Great concert photos are created in fractions of a second: the singer jumps off the monitor, the light shifts from red to white, the crowd throws its arms in the air. As a concert photographer from Berlin, I have been capturing these moments since 2003, from basement stages for 20 people to headline slots at festivals. My concert photography is for bands, labels, promoters and press outlets that need concert photos that look like music, not like phone snapshots from the third row. And it is for anyone who wants to know how professional concert photography works.
Concert photography from the photo pit
Over 590 shows, more than 280 bands and artists, and over 35 festivals: that experience goes into every shot. Whether it is rock, punk, hardcore and metal, or pop and hip-hop, I know how a concert builds, when the energy in the room shifts, and where I need to stand in the photo pit to capture the decisive moment. I am as familiar with Berlin's major stages, including SO36, Huxleys Neue Welt, Columbia Theater and Metropol, as I am with basement clubs, concert halls and open-air festivals across Europe.
You can see what my work looks like in the galleries: every show has its own gallery with date and location, from intimate gigs to festival headliners. This makes it easy to find photos of acts, venues or genres that fit your project. For me, concert photography is both passion and craft, and great concert photography is built on experience.
Live photography, band promos, tours and festivals
Different occasions call for different ways of working together:
- Live photography: the first three songs, the full evening or an entire festival weekend.
- Band promo & EPK: press images that match the band's sound and work for press kits, release campaigns or around a music video.
- Tour documentation: from backstage to the stage, for artists and band members who want to tell their story.
- Festival coverage: multi-day accreditation, multiple stages and fast delivery.
From booking to the finished images
For an enquiry, please send me the date, venue and location. Then we will define the scope: for enquiries through a venue or booking agency, I usually coordinate the accreditation directly. If the enquiry comes straight from the band or artist, a photo pass or brief approval from the promoter is usually still required. We will arrange this together in advance, so that on the night, the focus is entirely on the images.
After a show, standard delivery usually takes two to five working days. Festival weekends can take a little longer, depending on the scope. If there is a tight press deadline, I can provide selected images as express previews within 24 hours on request. Photos are supplied as JPEGs in web and print resolution. For editorial use, band promotion and artwork, we will agree on a suitable licensing model that is project-specific and transparent.
Who is allowed to photograph at a concert?
Who is allowed to photograph at a concert is not determined by the camera, but by the venue's rules. Promoters and artists decide what is permitted, and the rules are usually stated in the ticket terms and venue regulations. In practice, concertgoers may often take private souvenir photos with a smartphone, while interchangeable-lens cameras and professional equipment are frequently not allowed.
Accredited photographers with a photo pass are usually permitted to photograph only the first three songs from the photo pit, without flash. The reason is simple: flash blinds the musicians, disturbs the audience and takes away from the lighting design. Artists and their management also want to control at which point in the show images are created.
It is also important to consider what happens after the concert. Anyone publishing images in which fans or musicians are recognisable must respect personality rights, copyright and the consent of the promoter and artist. Violations may result in being banned from the venue, having images deleted or facing legal action. This is general guidance rather than legal advice. If in doubt, ask the promoter in advance.
Tips for cameras, lenses and camera settings
Do you take photos yourself and want to improve your concert photography? These tips from more than twenty years of concert photography in clubs, halls and at festivals will help. A concert is a demanding test for any camera: low light, fast movement and constantly changing lighting conditions. That is why fast lenses with wide apertures matter more than any extra feature on the camera body. A wide-angle lens gets you close to the band and the audience, while a telephoto such as the classic 70-200 mm captures facial expressions and details from the stage.
Camera settings depend on the situation. A fast shutter speed freezes movement: for a jumping singer, you will quickly need 1/250 of a second or faster, while slower passages can work with a longer exposure. Because light is limited, ISO needs to go up, and a clean sensor helps. Autofocus must work reliably even in backlight and haze. Flash stays off in most venues. Shooting in RAW gives you far more flexibility in post-production than JPEG, especially when dealing with colour casts from stage lighting. Having these settings in mind beforehand means missing fewer moments.
Preparation involves more than technology: charge batteries, clear memory cards, pack a backup camera, and find out in advance where the photo pit is located and what the show's lighting atmosphere will be like. And since not everyone has the most expensive equipment, good images can also be created on a smaller budget with solid gear, patience and a feel for the right subject. Beginners are best off starting in small clubs and with support acts, building a portfolio step by step.
Post-production and visual style
A great concert photo shows more than a sharp subject. It conveys energy, movement, facial expression and the connection between band and audience. In post-production, I develop the images so that light and colour carry the mood of the evening without misrepresenting the scene. A series should feel like the show itself: raw, loud and close up.
You can use the results for what moves you forward: press coverage and press kits, social media, tour posters, album artwork, promotion for a new music video or your own website. This makes it possible to put together an image package for every band, musician and artist that fits the music.
The stage is set for your band
Whether it is a club show, tour or festival headline set: if you are looking for concert photos that capture the performance and show the passion for music, send me the date, venue and location. I am available worldwide for club shows, tour dates and festivals, and I will get back to you with a suitable proposal.